Ghanaian Reggae and Dancehall musician, Ras Kuuku, has expressed confidence in Ghanaian Raggae/Dancehall artistes, describing them as incomparable among artistes in Africa.

According to him, the Raggae/Dancehall genre can be attributed to some powerful voices who have consistently produced songs with depth in lyrics, stage craft, and international appeal that is envied by other African countries.

“If you study the scene well, you will realise that Ghanaian Reggae/Dancehall artistes are the real leaders on the continent. From our lyrics to our stage presence, from the messages in our music to how we are projecting on international platforms, no African country can challenge what we are doing right now,” Ras Kuuku said.

He, however, asserted that Ghanaians fail to acknowledge the depth of impact made locally and internationally through Reggae/Dancehall songs.

“The sad part is that it is our own people who fail to see it. Instead of celebrating what we have, they waste time comparing us to others or pushing beef culture, which does not help anybody,” he added.

Ras Kuuku criticized the ongoing comparisons among Ghanaian musicians, saying they hinder unity and global progress.

He urged fans, stakeholders, and the media to support local artists rather than fuel divisions, while reminding fellow musicians that Reggae and Dancehall are rooted in activism and social awareness.

“Reggae/Dancehall was never just about dancing and hype. It is music that speaks to the realities of the people, especially those in the ghettos. It has always been about rebellion against oppression, standing up for justice, and giving a voice to the voiceless,” he said.

On the other hand, Nigeria is often recognized as having the most thriving entertainment industry in Africa, positioning it as a significant rival to other nations, including Ghana.

This perception sparked numerous debates among industry players and stakeholders, with some Ghanaian entertainers openly acknowledging Nigeria’s dominance.

However, comedian OB Amponsah holds a contrasting view on the matter.

Speaking on Joy Prime's Changes show, he dismissed the idea that Nigeria is a competitor for Ghanaian comedians.

According to him, the African continent is vast, with countless opportunities in different countries. He encouraged Ghanaian entertainers to broaden their horizons and explore markets beyond Nigeria.

“The space is big and Africa is huge, and when you travel outside Ghana, you would realise that there’s a lot of common stuff that we all share as Africans. So, I feel like the space is broad and we should explore beyond the Nigerian mentality because even between us and Nigeria, there’s Togo.”

He further told Roselyn Felli that the majority of Ghanaian comedians, including himself, have performed in other international countries in the same way as their Nigerian counterparts.

According to him, attention has been shifted from Nigerians, although their entertainers are usually invited to perform on platforms together with Ghanaians.

“I feel like our focus is too much on Nigeria. I’ve performed in Rwanda, Zambia, and South Africa. Oh Joo and Ebenezer Dwomoh went to Kenya to do shows; Jacinta has performed at Apollo. So, Nigerians are not like our competition,” he cleared.

OB Amponsah emphasized that Ghanaian comedians have successfully ingrained stand-up comedy into the fabric of the local entertainment scene, giving them a competitive edge over their Nigerian counterparts when performing on Ghanaian stages.

He further suggested that instead of seeing Nigerian entertainers as rivals, Ghanaian performers should focus on penetrating the Nigerian market to make a mark in their industry.

The comedian also highlighted a growing trend among Ghanaian comedians to collaborate with international acts beyond Nigeria. This approach, he noted, is aimed at expanding their reach and establishing a stronger presence on the global stage.

Also, George Britton, CEO of GB Records, discussed the potential benefits of Sarkodie partnering with a major label.

During an interview on ClassFM's Morning Show with Prince Benjamin, Britton reflected on Sarkodie's accomplishments and considered whether his global recognition matched that of Burna Boy.

Britton noted that Burna Boy's name is widely recognized, even on the streets of London, and expressed a desire for Ghanaian artists to reach similar levels of fame. He emphasized that international collaborations are crucial for Ghanaian artists to break into global markets and media.

With 15 years of experience in talent management, Britton highlighted the necessity for Ghanaian artists to negotiate deals with international labels. He warned that without these partnerships, the country could miss out on significant revenue and opportunities in music tourism.

Sarkodie, on the other hand, has taken pride in his independent success. In his 2024 Hennessy Cypher, he criticized traditional record deals, comparing them to being "caged in a zoo." This highlights his preference for maintaining artistic freedom and control over his career.