Enoch Nana Yaw Oduro-Agyei, known as Trigmatic, has emphasized the potential for Ghanaian artists to achieve international recognition and financial success by venturing beyond their local borders.

In an with the media, Trigmatic addressed the habit of comparing Ghanaian and Nigerian musicians, urging a shift towards global outreach instead.

He encourages Ghanaian artists to actively introduce their music to new audiences in countries like South Africa, Brazil, and Korea.

Trigmatic believes that targeting specific regions can lead to rapid success and prosperity, citing the affinity of South Americans for African music.

Trigmatic emphasizes the significance of collaborations with artists from these nations and the role of promoters in spreading Ghanaian music abroad.

While acknowledging the challenges, he stresses unity among Ghanaian musicians. Trigmatic calls for collective efforts to engage with the government, seeking support to promote the music industry. He suggests that a unified front can address concerns and rally for government backing, as seen in other countries.

Trigmatic's advocacy underscores the potential of Ghanaian artists to thrive on the global stage through strategic expansion and collaborative efforts.